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We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the center of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. There is almost no focus variation whether the lens focuses from a closer distance or from infinity but I detected a bit of hunting. A design bonus weve seen increasingly of late is that the foot slots directly into the Arca-Swiss platform of a compatible tripod or monopod. First introduced in the 70-180mm f/2.8, the 150-500mm also uses Tamrons VXD linear autofocus motor. Thats not a problem in this case, the design having a good overall balance. If the image at 500mm is sharp enough, cropping a 42MP shot at 500mm to match the angle-of-view of at 600mm still nets you around 29MP. Fringing: Color fringing is negligible at all zoom and aperture settings, even at the extreme edges and corners of the frame. In the grand scheme of things though, minor stuff. For details see table below. Weve seen the popular 150-600mm f/5-6.3 lens released in 2013 with a well-received second-generation model launched in 2016, plus the 100-400mm F/4.5-6.3 which was introduced in 2017. Put your camera into AF-C mode so that it continues to focus as long as you hold the shutter button. On the other end of the zoom, Sony is f/5.6 at 400mm whereas Tamron is neck-and-neck, able to do f/5.6 up to 387mm. And if the sharpness isnt there, your photos just wont pass muster. It facilitates accurate shooting in the telephoto to ultra-telephoto range of 225-750mm (full-frame equivalent). Aside from the zoom lock switch I just mentioned on the righthand side, theres a panel of switches to be found on the left. The nine key takeaways after shooting with the Tamron 150-500mm Di III VC VXD. If youre shooting at your backyard feeders or at a location where birds have become acclimated to humans, you can just zoom out to capture the perfect frame. Video review, Distortion: As with color fringing, in-camera correction is available for distortion. The lens features a variable aperture of f/5-6.7 to f/22-32 and a When I adjusted the focus from infinity to 2.17m on the Tamron 150-500 at 200mm focal length, I measured a 3% increase in magnification. It features a minimum object distance (MOD) of 23.6 inches (59.9 centimeters) at the 150mm end and 70.9 inches (180 centimeters) at 500mm. At the 150mm end, peak corner sharpness is at f/14. This characteristic is called parfocal. It might spread its wings, which will get clipped by the frames edges (a big no-no in bird photography!). Both Sonys and the Tamron 150-600 come with a pouch and have the detachable tripod mount included but the Sonys dont have an Arca-Swiss interface. NIKON D7200 + Tamron 150-600mm f/5-6.3 @ Youre standing in a clearing, surrounded by beautiful yellow warblers. Traditionally, Mode 1 would be full compensation vertically and horizontally, Mode 2 would be for panning and compensates only for vertical movement, and then Mode 3 only activates horizontal and vertical stabilization at the moment of capture and does not compensate until only then. The lens has an MOD of 0.6m (23.6 in) at the 150mm end, and 1.8m (70.9 in) at the 500mm end. As well as the slightly less generous maximum focal length, compared with the Tamron 150-600mm, downsizing is also enabled by a slightly narrower f/5-6.7 aperture rating at the long end. Store Hours 1-800-333-4280 Mon to Sat: 10:00am - 6:00pm (CST) Sunday Closed Send us an Email Email us Ken often shoots in the f/6.7-f/8 range for this reason; its how he gets optimal detail in his bird photography. The effective placement of special lens elements-including XLD (eXtra Low Dispersion), LD (Low Dispersion) and hybrid aspherical lens elements-enables the 150-500mm F5-6.7 to produce clear images while controlling chromatic aberrations. This time, however, it can pay to enable the correction as the Tamron delivers noticeable pincushion distortion in the 100-300mm sector of the zoom range, a little less so at the long end. ), but as all experienced photographers know, the specifications are only half the story. First is its thinness. So if youre after a more compact lens that still reaches those ultra-telephoto distances, the Tamron 150-500mm is a stellar option. Release DateJune 10th, 2021 (Sony)October 13th, 2022 (FUJIFILM). 2006 - 2023 Digital Photography School, All Rights Manual-focus override is by simply turning the dedicated focus ring. Lens construction: 25 elements in 16 groups WebThe page is TAMRON's Support [Instruction Manuals]. Considering its extreme zoom range, the Tamron 150-500mm is relatively compact. Even when extended to the 500mm telephoto end, the lens has a length of around 283mm (11.1 in). 35mm SLRs. Its f5.6 at 250mm, f6.3 at 400mm, f6.7 at 500mm focal length. The Sony 100-400mm is in the premium G Master line of lenses and costs $1,000 more than the Tamron. Get your AF zone over the bird, and be locked and ready to go. Tamron 150-600mm G2, - lighter, easier to handhold, faster AF, longer reach, better range, focus can be fine-tuned at different focal lenght via Tap-In Console. Some users might appreciate the convenience, but I found it too easy to activate the flex zoom lock by mistake. (One more tip: Buy the fastest memory cards available. Ideally, I would like to see Mode 3 only active when Im ready for it. Throughout my review period, I found autofocusing to be snappy and largely reliable for tracking birds in flight. Jun 23, 2021, Tamron 150-500mm F5-6.7 Di III VC VXD videos, Tamron 150-500mm F5-6.7 Di III VC VXD samples, 48 images Its Tamrons first Sony full-frame E-mount lens with Vibration Compensation (VC), and thanks to the built-in image stabilization and the impressive zoom range, it sounds like a wildlife photographers dream. The lens still shows zoom creep if you dont lock the lens with the switch or by pushing the zoom ring forward. Also incorporated into the tripod collar are strap attachment loops. Even more modestly-sized camera backpacks should be able to fit this in with the hood reversed and camera attached. While you wont always use this feature, its nice to have and in certain situations, itll be a huge help. This becomes especially important when photographing tiny subjects such as songbirds and shorebirds. This leeds to an angle-of-view which is even narrower than 200mm (on full-frame sensor) at the wide end and results in 25% more reach/magnification at the long end over 600mm on a full-frame sensor. There are leak-resistant seals on the mount and throughout the edges of the lens. Birds of Prey: Ken Hubbard and the Tamron 150-500mm F/5-6.7 Di III VC VXD, Oliver Guth In Action with the Tamron 150-500mm f/5-6.7 for Sony E Mount, Tammy Talk with Janet! Once your subject crosses the MFD, a lens wont be able to focus any closer, and your shots will turn out blurry. I appreciate the black semi-matte finish on the plastic exterior which blends in much better than the off-white that is not uncommon for these focal lengths. [0], Optics: The Tamron 150-500mm f5-6.7 Di III VC is a pretty complex design with 25 elements in 16 groups including 6 special dispersion elements and 2 aspherical elements. The lens features a variable aperture of f/5-6.7 to f/22-32 and a front filter size of 82mm. This might be my favorite feature of the 150-500mm. When shes not taking photos, shes making travel photography and camera gear videos for her YouTube channel. The 150-500mm F5-6.7 is TAMRON's first ultra-telephoto zoom lens for full-frame mirrorless cameras that reaches the 500mm focal length and when used on APS-C mirrorless format cameras, the zoom range is an approximate 225 Another distinctive feature is that the arc of rotation of the zoom ring is small-only 75-which enables swift adjustment to the desired focal length with minimal movement. The bonus here is that Tamron keeps going, something that users of these mid-telephoto lenses are sure to value a great deal. The Tamron 150-500mm costs $1399 USD, and while this might seem steep, its actually a fair price considering the competition (more on that below). The lens stops on a dime, and it can lock onto moving subjects with ease. At the short end the Tamron 150-500mm has an angle of view of 16 degrees, compared to the 24 degrees of the zooms starting at 100mm and the 12.5 degrees of the Sony 200-600mm. There are other factors that are expressed in different methods, such as taste of softness and degrees of compensation of various aberrations. Unfortunately, teleconverters are not currently available for use with the Tamron 150-500mm. NIKON D7200 + Tamron 150-600mm f/5-6.3 @ Color fringing is essentially a non-issue, although pincushion distortion can be a little noticeable when uncorrected in-camera, throughout the entire zoom range. The minimum focus distance at the wide end is 23.6 inches (0.6 meters) and all the way zoomed in its 70.9 inches (1.8 meters). I should have stated that I only tested the Nikon and Sigma, but only owned the Moving toward the lens mount, theres a focus ring that I have a couple of negative feelings about. This may technically be the first of its kind for Tamron, but the company does have a history of similar zoom lenses for DSLR mounts. with a magnification of 1:3.1 and a working distance of 0.37m (1.2ft.) It has the resolving power to achieve fine feather detail and allows for considerable cropping without the photo falling apart. Tamron explained this as noise from the VC which keeps the image stabilization centered as long as the viewfinder or rear LCD show an image. Top features include fast AF speed, 4.5-stop VC with 3 stabilization modes, Fluorine Coating, and FLEX ZOOM LOCK. Inside, the lens uses 25 elements in 16 groups including one extra-low dispersion element, five low dispersion elements, and two hybrid aspherical elements. Verdict. Announced in April 2021 for Sony E-mount, it complements Tamrons 70-300mm f4.5-6.3 Di III RXD or 70-180mm f2.8 Di III VXD for those who need more reach. Second-generation BBAR-G2 Coating is a groundbreaking advancement that provides vastly improved performance compared to the original BBAR (Broad-Band Anti-Reflection) Coating. Mode 1: For normal manual focusing The Tamron 150-500mm uses a variable aperture, which means that the maximum aperture changes based on the focal length. Announced in April 2021 for Sony E-mount, it complements Tamrons 70-300mm f4.5-6.3 Di III RXD or 70-180mm f2.8 Di III VXD for those who need more reach. As youre likely aware, birds are speedy. Why you can trust Digital Camera World Shooting at such a slow aperture does require ample lighting, and this can potentially affect image quality if you need to raise the ISO in dark shooting conditions. And as many beginners quickly realize, even a 70-300mm zoom doesnt cut it especially when youre shooting distant and unapproachable subjects such as birds of prey or tiny subjects such as songbirds. And to see more of Jaymess work check out his website and his blog. View Product. Nikon Z7II Eye Autofocus Woes. But sometimes youll want to consider working with a tripod. To learn how to take stunning nature photos, check out his free eBook, Mastering Nature Photography: 7 Secrets For Incredible Nature Photos! Angle of view: 5-16.5 degrees The Tamron 150-500 offers three modes: Mode 1 is standard stabilization, mode 2 is specifically for panning, mode 3 maximizes viewfinder stabilization for easier framing. Closest to the lens mount is a removable metal tripod collar that needs to be acknowledged. Unfortunately, working with telephoto lenses on a tripod can be a pain. The 150-500mm F/5-6.7 Di III VC VXD (Model A057) zoom lens for Sony E-Mount and FUJIFILM X-Mount upends conventional wisdom for ultra-telephoto zoom lenses, with a truly compact design and high image quality. Proving that compromise can be a good thing, this Tamron super-telephoto zoom delivers powerful reach with a fairly typical variable aperture rating, enabling a manageable size and weight for handheld shooting. Modes 1 and 3 are different, and a little strange. Kens experiences as well as the photos in this article, all taken with the 150-500mm make that clear. 35mm SLRs. Based on the features of the Tamron 150-500mm f/5-6.7, the priority on compactness in the design, and its aperture breakdown in the focal lengths, the lens is most closely related to the Sony 100-400mm f/4.5-5.6 GM OSS and Sigma 100-400mm f/5-6.3 DG DN OS Contemporary. The 150-500mm F5-6.7 is TAMRON's first ultra-telephoto zoom lens for full-frame mirrorless cameras that reaches the 500mm focal length and when used on APS-C mirrorless format cameras, the zoom range is an approximate 225 Kens experiences as well as the photos in this article, all taken with the 150-500mm make that clear. ), plus youll sometimes want to crop in for a frame-filling final result. 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As a telephoto lens, vignetting is certainly something that exists. Given that the lenss zoom range fits so well with action, sports and wildlife photography, the fast and accurate tracking performance is a major benefit. Like many other telephoto lenses, it extends when zooming. The Tamron 150-500mm, however, is an unusually close-focusing lens. The Sigma 100-400 is 980 EUR / 950 USD / 900 GBP, the Sony 100-400 is 2400 EUR / 2400 USD / 2050 GBP, the Sony 200-600 is 1730 EUR / 2000 USD / 1500 GBP, the Fuji 100-400 is 1700 EUR / 1900 USD / 1545 GBP, the Fuji 150-600 is 2200 EUR / 2000 USD / 1900 GBP, the Tamron 150-600 currently sells for 1000 EUR / 1200 USD / 850 GBP. Photographers can shoot at any zoom setting without the lens extending unintentionally. The Tamron 150-500mm offers moisture-resistant construction for shooting in inclement weather conditions. With manual focus I could get even closer and achieve higher magnifications: 1:2.8 at 150mm focal length and 1:3.2 at 500mm focal length. Canon AE-1 Program SLR Film Camera Body AE1 Program Chrome [Parts/Repair] Condition: Inoperable. Manufacturer description: The 150-500mm F5-6.7 is Tamron's first ultra-telephoto zoom lens for full-frame mirrorless cameras that reaches the 500mm focal length and, when used on APS-C mirrorless format cameras, the zoom range is an approximate 225-750mm full-frame equivalent. USD $38.81. The Tamron 150-500mm does have an image stabilization mechanism Tamron calls its technolgoy Vibration Compensation and offers three different modes that are controlled by a switch on the side of the lens. My preference is to keep the zoom switch instead, which does the same thing, but is much harder to trigger on accident. May not be used without permission. WebQuestion & Orders. Tamron has already been doing it in previous telephoto lenses, and this one too features a built-in Arca Swiss tripod plate on the foot. Then, once youre ready to adjust the focal length again, you pull the zoom ring back to disable the Zoom Lock. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. I also tested whether Tamrons newest zoom lens allows you to change the focal length without altering its focus. Mode 1 acts as described above, however, its strength of compensation is not very impressive, especially when shooting at 500mm. [+], Weight: 1725g (3.8 lb.) Minimum aperture: f/22-32 Focus tracking performance is also very high. The tests also measure distortion and color fringing (chromatic aberration). The 150-500mm F5-6.7 lets users freely enjoy telephoto macro shooting of subjects at close-up distances. Manufacturer description: The 150-500mm F5-6.7 is Tamron's first ultra-telephoto zoom lens for full-frame mirrorless cameras that reaches the 500mm focal length and, when used on APS-C mirrorless format cameras, the zoom range is an approximate 225-750mm full-frame equivalent. firmware upgradeable via Tap-In Console. Obviously, this is more than a tweak of a few millimeters, but Tamron has a history of thinking outside the box when it comes to zoom ranges. [+], Sealing: All lenses have a rubber grommet at the lens-mount. Instruction manuals for lens products are available. Ultra-telephoto lenses tend to be insanely heavy. So going into the discussion with Ken, I wanted to know, point blank: Does the Tamron 150-500mm focus fast? We run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Take a look at the feather detail on this owl: Another problem that bird photographers often face especially when shooting darker birds against a bright sky is chromatic aberration. If you want to fill the frame, you need a lens with a small minimum focusing distance (in other words, you need a lens that can focus close). The tripod collar was one of my favorite features, thanks to its Arca-Swiss compatible tripod mount. Just remember to focus at the longest focal length before zooming. firmware upgradeable via Tap-In Console. Overall, the photos produced with this lens are crisp and sharp (with peak sharpness at f/8). This lens does extend physically as it zooms. It also is fully weather-sealed including fluorine coating on the front lens and comes with a removable tripod-collar with Arca-Swiss style tripod interface. Also, if youre after more environmental images, you might even try working at 150-300mm. Tamron recently unveiled the 150-500mm VC VXD for Sony E-mount, a compact, low-priced, ultra-telephoto zoom packing plenty of eye-catching features. Canon AF Lenses. Then move your lens to follow the bird, and half-press your shutter button to lock on. The Tamron 150-500mm F/5-6.7 Di III VC VXD is the companys first super-telephoto zoom for full-frame Sony E-mount mirrorless cameras and, was more recently released in Fujifilm X mount. (Note: If you really want to maximize your accuracy, try using back-button focus. Nikon 200-500 - slightly sharper, heavier and bulkier, slower AF, 100mm shorter, brighter on the long end. The least Tamron could have done about that was to make the ribbing on it rubberized and more pronounced, but sadly its even flatter than the zoom ring and plastic. Note that the lens will start shipping on June 10th, though its currently available for preorder at Tamron-authorized in-store and online retailers. At 500mm the effect is a bit stronger but still pretty inconspicuous. Ken is a huge fan of the lens, and I can see why: Its an affordable, fast-focusing zoom that bird, wildlife, and action photographers will love. WebWelcome to LensRentals.com We rent lenses & cameras for Canon, Nikon, Sony, Leica, Fuji, video equipment, and more with nationwide shipping and great customer service! As a bird photographer, focus limiters are a tricky matter that I dont ever really use for a few reasons, but paramount is the fear I might miss something spontaneous. plus 55mm for the lens hood (113mm diameter) the Tamron 150-500 is quite short for a lens reaching 500mm focal length. Thus, Tamrons decision to add VC to the 150-500mm is a big deal and goes a long way toward reducing blur caused by camera shake. Canon AE-1 Program SLR Film Camera Body AE1 Program Chrome [Parts/Repair] Condition: Inoperable. Ken shares that youll end up with a huge number of shots, and only a few of them will actually look good, with a well-lit head, a nice wing position, and a nice background. With this lens, Mode 2 is unchanged and is still the mode to use for panning shots. Plus, thanks to its moisture-resistant construction, you can shoot in messy weather without worry (though I still recommend you use a waterproof cover!). Heck, I believe it was Tamron that pulled off of the 150-600mm first too, years before Sigma and Sony did versions of it. And the other thing of note: The benefit of reaching 600mm with the Sony 200-600 or Tamron 150-600 is perhaps not as big as expected. [+], Focal ratio: The Tamron starts with a f5.0 focal ratio at the short end which is par for the course. WebTamron 150-600mm f/5-6.3 (covers full-frame, APS-C and 35mm formats, 95mm filters, 59.5 oz./1,687g without collar, 8.9'/2.7m close focus, about $1,070). Strong overall performance and a range of smart features make it a good buy at the price. The lens hood of the Sony 100-400, Fuji 100-400, and Fuji 150-600 has a sliding window through which a polarizing or variable ND filter can be adjusted and it also has a lock to prevent it from accidentally falling off. The lens comes with a removable hood and a tripod mount. In addition to covering a broad range of focal lengths, the 150-500mm F5-6.7 has high resolving power with excellent image-rendering performance across the entire zoom range. The arc of rotation of the zoom ring is only 75 to enable swift adjustment to the desired focal length with minimal movement. If theyre shooting from the sidelines of a game, they will likely need to be back at least three meters for safety. Earlier, I explained how the 150-500mm lets you handhold in low light. The lens also offers a magnification ratio of 1:3.1 at 150mm. [+], Autofocus: All lenses in this comparison offer autofocus with built-in focus drive. Maximum magnification ratio: 0.32-0.27x Its up against stiff opposition from the excellent own-brand Sony FE 200-600mm f/5.6-6.3 G OSS, which gives even greater telephoto reach. All in all, the Tamron offers a very similar shooting experience to native Sony lenses. Best budget telephotos, Thank you for reading 5 articles this month* Join now for unlimited access, Enjoy your first month for just 1 / $1 / 1, *Read 5 free articles per month without a subscription. The removable tripod collar is metal and has a texture that matches extremely well with my trusty Sony a7R III camera, which I used for this review. Shooting at the 150mm end, I find f/7.1 shows vignetting only on the edges of the frame, and then by f/9 its around the corners only, and at f/13 its largely under control. Because of the perfect tension and size, even the three-stage switches easily set to the middle without accidentally skipping to the next setting. Its lens hood has a rubberized front end to prevent dinks and scratches when the lens is set down on it. But it takes you to 500mm focal length at a size where other lenses only reach 400mm, it has the tripod mount included (which is an essential accessory for any less longer than 300mm) with Arca-Swiss style interface, a flexible zoom lock feature and is thoroughly sealed against the elements. Kens been using the new 150-500mm for quite some time now, so I knew that he could give me the low-down on its real-life capabilities. So its better to shoot from a tripod, monopod or any support you can get for the lens when using focal lengths beyond 200mm. The problem, of course, is that handholding can be useful, especially if you like the freedom and flexibility of pointing your lens in every direction from every reachable perspective, or you just dont want to carry a tripod on top of cameras and lenses and other accessories. Weve criticized the switches in some Tamron lenses in the past for having overly large protrusions. Heres a simple fact about the Tamron 150-500mm: Its really, really sharp, even at its widest apertures. It appears as colorful fringing along high-contrast edges such as bird wings, and it looks terrible. So easy in fact that I often found that I inadvertently moved the focus setting. The 150-500mm F5-6.7 is TAMRON's first ultra-telephoto zoom lens for full-frame mirrorless cameras that reaches the 500mm focal length and when used on APS-C mirrorless format cameras, the zoom range is an approximate 225 It has a cheap glide like theres sand in it, and at times in the rotation, there are high notes of crunching that make me question if there literally is debris trapped. Would it be nice to have an f/4 aperture for low-light shooting? After two packed weeks of glorious bird photography, theres a lot to be said for this new telephoto zoom. The Tamron 150-500mm F/5-6.7 Di III VC VXD is the companys first super-telephoto zoom for full-frame Sony E-mount mirrorless cameras and, was more recently released in Fujifilm X mount. There are no less than 25 optical elements, arranged in 16 groups. Or Shop By The Newest Arrivals. On each side of the foot, there are also loopholes for attaching a carrying strap if desired. While there is a zoom lock switch on the side for 150mm, what is less noticeable is what Tamron calls the Flex Zoom Lock. By just pulling out the zoom ring, it can lock at any focal length. Lens performance differs depending upon directions. Even without half-pressing the shutter or using back-button autofocus without touching the camera at all its on. In bird photography, you frequently need the longest lens you can afford. Again though, the 150-500mm is more compact and lightweight, and feels better balanced on slimline mirrorless bodies. So you need a camera setup that can handle the elements. WebTamron 150-600mm f/5-6.3 (covers full-frame, APS-C and 35mm formats, 95mm filters, 59.5 oz./1,687g without collar, 8.9'/2.7m close focus, about $1,070). Theres also Tamrons BBAR-G2 coating. The construction includes weather-seals and a fluorine coating on the front element, and all of the switches have a similarly high-end feel. Many stabilized lenses have some sort of hum that is produced once that image stabilization kicks in. NIKON D7200 + Tamron 150-600mm f/5-6.3 @ Ill go over vibration compensation in a more detailed section below, but right now I want to point out the focus limiter.

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